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Silver Spring, MD
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Stories To Tell is a full service book publishing company for independent authors. We provide editing, design, publishing, and marketing of fiction and non-fiction. We specialize in sophisticated, unique illustrated book design.

Stories To Tell Books BLOG

Video: Use Google Image Search to Find Quality Images for Your Book

Nan Barnes

Finding high quality illustrations for your book can be a real challenge. Many of the images on the internet are low resolution which will not work well for book printing. This video, the first on our new Stories To Tell Books YouTube Channel, will show you how to solve the problem. This tutorial takes you through the process of using Google Image Search to locate better, higher resolution images to replace low-quality photos in your collection. Nancy Barnes explains how to locate better, higher resolution duplicates of your images to meet the requirements for commercial book printing. These methods work for all photo searches in Google Images, but they are especially helpful for people who wish to upgrade an existing photo. Learn how to use advanced settings to locate images by size, by type, and for free use, as well as sorting them by usage rights, so that you can publish the photos in your commercial book without violating copyrights.
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A Veterans Day Goal - Preserve Your Veteran's Story

Biff Barnes

Veterans Day is the day Americans officially honor the service of our military veterans. What better way is there to honor them than to preserve the stories of their service? That preservation can take a variety of forms. The Library of Congress Veterans History Project at the American Folklife Center is preserving oral history interviews with veterans. (Unfortunately the Library of Congress website is down for maintenance this Veterans Day Weekend. It will be back online on Tuesday, November 13th.) The project website provides specifics on how you can participate and offers guides to the interview process. A quick web search of veterans history” will provide listings for many state and local veterans history projects which support the work being done at the Library of Congress. Books make a great preservation tool.
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Patricia Fry’s Talk Up Your Book – A Great Book Promotion Tool!

Biff Barnes

Patricia Fry, Executive Director of the Small Publishers, Artists, and Writers Network (SPAWN) has a lot of experience in selling books. She has written thirty-five of her own and helped countless other authors sell theirs. In her newly published volume, Talk Up Your Book, Fry advises, “…face-to-face interactions and public appearances are some of the most effective methods for authors to promote their books.” Subtitled How to Sell Your Book Through Public Speaking, Interviews, Signings, Festivals, Conferences, and More, Fry’s book is a nuts and bolts guide for writers who want to do just that
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Let’s Declare December National Novel Editing Month

Biff Barnes

We’re almost a week into National Novel Writing Month. How’s your book coming? Based on the many conversations I have had with ambitious writers who have undertaken the challenge, there are a lot of you out there who have one underway. Good for you! It takes a real commitment to write a novel in 30 days. But with a lot of discipline and even more time banging away at the keyboard you can knock out a draft manuscript this month. I just hope you don’t think you’ll have a book that’s ready to ship off to a literary agent on its way to the best-seller list, or what’s more likely, off to a printer for self-publication.
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After the Storm: FAQs from The Genealogy Event

Biff Barnes

We’ve been offline for a bit. We really enjoyed attending the Genealogy Event in New York City last weekend, but it put us in town for the arrival of Hurricane Sally. Squarespace, which hosts our website, is in Lower Manhattan. They have backup generators, but they are located in the basement which flooded during the storm. We got a message that everything would be down for a while. Obviously a small inconvenience in light of the magnitude of the damage the East Coast has suffered. We’re glad to be back online. So back to our blog The Genealogy Event was an excellent conference. We met a lot of enthusiastic people who want to create family histories. Today’s post will highlight some of the frequently asked questions from the event.
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You'll Need a Blueprint for Your Family History Book

Biff Barnes

Nancy and I often present a class titled How to Plan and Organize Your Family History Book at genealogy events around the country. (Well be presenting a new version of the class this Saturday at the Genealogy Event in New York City.) I usually begin by asking the audience, “How many of you have started writing your book?” The majority of the group raises their hands. Then I ask, “How many of you have a plan for your book?” That provokes nervous laughter and far fewer raised hands. That’s a problem! Let’s take a look at some of the decisions that will help you create a family history book you’ll be proud of.
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Your Family History Didn’t Happen in a Vacuum

Biff Barnes

“I just don’t have a lot of family stories,” say far too many genealogists who want to write a family history. I understand. Everyone always wishes they had taken the time to gather family stories when they had a chance. There are plenty of questions you wish you’d asked Grandfather Harry or Great Aunt Sue who was the family busybody and knew everybody’s story. But the opportunity to sit down with them with a notebook and pen or even better a tape recorder has come and gone. But that doesn’t your family history is doomed to be a dutiful recounting of facts recalled from your genealogical research and pages of pedigree charts. You can make your book lively and interesting. All it takes is a little perspective.
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Your Family History: Pass It On!

Biff Barnes

You’ve traced your lineage back ten generations. You know who came over on the Mayflower, or crossed the Middle Passage on a slaver, or came steerage to Ellis Island. You have all the details documented to the highest possible level of proof. How do you pass the product of your years of diligent research on to the next generation? Put it in a book!
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Don’t Be Too Happy With Your Amazon eBook Credit

Biff Barnes

Don’t you just love it when you get good news? Amazon sent us an email Saturday which opened, “We have good news.” After reading it, I wasn’t convinced. Addressed to “Dear Kindle Customer” the email informed us that as part of the anti-trust settlement between three of the big five publishing houses and the Justice Department last April we would be eligible for a credit for some of our past ebook purchases. You probably got one too. So, should we all say, “Hurray! Justice was done,” and rush to select some new Kindle books to buy with the negligible amount of our credit. Or should we give some serious thought to what it all means?
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Good Feedback on Your Writing Can Be Hard to Find

Biff Barnes

We spent a great weekend at the Wordstock Literary Festival in Portland, Oregon talking with authors about books. One theme came up in a variety of forms in conversation after conversation: I am finished or nearly finished with a draft of my book and I can’t get good feedback about making the revisions it needs to make it ready for publication. Two people told us they had submitted books to agents only to have them sent back with notes that said, “Needs editing.” A number of authors said they were tired of having family and friends read their manuscript only to have them say, “This is really good!” or “I really like it.” Not helpful! Others belong to writing groups which have rules that all comments on members work be supportive and encouraging, so they can’t get real critiques of what they have written. One gentleman said he had posted his draft on line for people to review. I asked, “So, are you getting good feedback?” The answer was a swift, “No. None!” All of these writers were clearly frustrated. If you’re a writer who wants ideas on how to revise your work you need to understand that most people don’t know how to offer useful suggestions. That doesn’t mean they can’t. It just needs that they need some help from you about how to do it. You need to tell your readers what you want to know. It’s best to give them specific questions you would like answered. Here are a few examples:
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Read Like a Writer

Biff Barnes

We’re getting ready to head for Portland, Oregon for Wordstock literary festival. We’ll be talking with people about writing all weekend. That’s great, but I hope the people we’re talking to are taking advantage of the festival to line up some good reading, because as Stephen King once advised,” If you want to be a writer, you must do two things above all others: read a lot and write a lot.” So here are some suggestions for you as you plan your reading.
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How to Sell Your Books at Events

Biff Barnes

Anyone offering making suggestions to authors about how to sell their books includes the advice to exhibit at trade shows and book festivals. That can be a great idea. Or not. Nancy and I have attended two, the Sonoma County Book Festival and the West Hollywood Book Fair, in the past three weeks and we’re gearing up for Wordstock in Portland, Oregon this weekend and the Miami Book Fair International in November. We really enjoy the events and meet a lot of wonderful people, many of whom eventually become Stories To Tell clients. At the same time we have the opportunity to observe a wide variety of authors who are on hand to sell their books. The results appear to be all across the spectrum. Our advice to authors is simple: If you are going to market your book at events, do it right. Here’s how:
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How Do I Find a Literary Agent?

Biff Barnes

We were at the West Hollywood Book Fair over last Sunday. A young sci fi/fantasy writer we had met earlier in the year at the L.A. Times Festival of Books stopped by. He asked, “How do I find a literary agent?” Good question! There’s so much buzz about the best ways to self-publish that authors seeking a traditional publisher often feel left out. So, Franciscus, here are some suggestions.
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Writing To Win

Nan Barnes

I struck up an interesting conversation with a woman named Robbie at the Hollywood Book Festival the other day. She writes -and exclusively reads - nonfiction, mostly essays. Like many unpublished authors, she has been writing for a long time, in between the more pressing responsibilities of life. Like many writers, she has procrastinated about getting her work into shape for publishing.

Recently, after all this time, Ronnie actually finished writing her book. In a sprint-toward-the-deadline-like burst of frenzied writing, she completed the book at the end of August. What motivated her to finally get it done? She was submitting the book to the Graywolf Press. Each year they hold a contest for new authors and award their Nonfiction Prize to the winner. Their website promises "A $12,000 advance and publication by Graywolf will be awarded to the most promising and innovative literary nonfiction project by a writer not yet established in the genre."

Wait! Don't run away just yet; you've already missed the deadline. But Ronnie didn't, and she now has a shot at winning. Good luck to you, Ronnie. We will be waiting for the announcement.

For some people, this type of external motivator is just the thing to make them face that blank page. A contest gets the competitive juices flowing. And if you are really inspired by fear, you can imagine an audience of hypercritical contest judges rejecting your work. That may be just the thing to cause you to choose your words even more carefully.

Naturally, the odds are long. But contest winners do get attention, and the resulting publicity can help an author’s career. Interested? New contests abound online. You’ll find them discussed around the virtual water cooler over at Absolute Write. (If you haven’t come across the site yet, it’s a good resource for writers.) http://absolutewrite.com/forums/

Before you jump in, be sure to check the terms of a writer’s contest. There are some that are scams, meant to profit the organization, not authors, with steep submission fees. Some hapless authors pay these fees agin and again in hopes of being discovered, and that’s not a route I can recommend.

Here is a link to learn more about the Graywolf. Prize. http://www.graywolfpress.org/Company_Info/Submission_Guidelines/Graywolf_Press_Nonfiction_Prize/127/

If you are writing in another genre, type it (example: mystery) and “contest” into your search engine and explore!

Beware! 3 Mistakes Writers May Make

Nan Barnes

Writing a book is hard work, and it is even harder to go back and correct a mistake when you are far into the project. Sometimes an ill-conceived idea at the outset of a book project means that a writer has to completely rework their manuscript. Just in the past few weeks, we have had three clients with problems that were inherent in their book idea. Perhaps you can learn from their mistakes.
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Start Your Book for Family History Month

Biff Barnes

Nearly every genealogist talks about collecting her research and writing a family history book – someday. Make this October the month that you actually do it. I know a lot of you are saying, “I’d like to do that, but I’m not finished with my research.” I understand. But you never will be finished. Research is a lifetime pursuit. Family historians should all pin a comment by Pulitzer Prize-winning historian Barbara Tuchman to their wall or better yet use it as a screen saver. Tuchman said, “The most important thing about research is to know when to stop. How does one recognize the moment? …One must stop before one is finished; otherwise, one will never stop and never finish.” So get started with your book! Let’s look at a simple process to plan and organize your family history.
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Writing When You Don’t Have Time

Biff Barnes

If you’re not a full time writer, you have probably found that life often gets in the way of finding time to work on your book. Recently a client dropped us a note: I've been working on a chapter here and there as much as time allows, but in the process of selling my home, a lot of my research materials were minimally packed. I am trying to find a way to make a writing schedule even if it's short. Any thoughts? We understand. We have some ideas on ways to make productive use of limited writing time.
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Want to Hit the Bestseller List? Write a Memoir

Biff Barnes

It’s not a surprise when anyone points out that we live in “the age of memoirs.” The number of memoirs published increased 400% in four years leading Ben Yagoda in his book Memoir: A History to observe that, “Memoir has become the central form of the culture…” The current list of Hard Cover Bestsellers includes three memoirs among the top 15 titles. Chery Strayed’s Wild, an account of the author’s transformational 1,000 mile hike along the Pacific Crest Trail is #4; Olympic soccer team goalkeeper Hope Solo’s book Solo is #12; and Kati Marton recalls her marriages to Peter Jennings and Richard Holbrooke in Paris: A Love Story which is #14. 9 out of the top 25 e-books are memoirs. But what is interesting is that our fascination with memoirs is less recent than we often think.
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Style for Writers: You Can Look It Up!

Biff Barnes

“Should self-publishing be hyphenated?” I asked. It seemed like a simple question, triggered by a desire to be consistent in the way we handle a word we use a lot here at Stories To Tell. But the discussion it provoked was rather protracted and, I think, an important illustration of something to which writers should pay more attention – consistency of style. We discussed what you see in common usage. Many pieces of published writing have hyphens. But what seems an equal number don’t and that number seems to be growing. We talked about grammar. If you use the word as a verb without a hyphen you are saying to self. That doesn’t make sense. So you should use a hyphen to self-publish to make it grammatically correct. But as an adjective, as used in self published book, would the same thing be true? Of course your grammar checker in Word says it’s not correct. But, I hope everyone knows that’s not always a guarantee of correctness. Finally, we did what we should have done in the first place, we checked the Chicago Manual of Style.
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The Self-Publishing Controversy

Nan Barnes

Have you heard good stories, or bad, about self-publishing? Some say it’s the greatest opportunity for writers since Guttenberg. Others issue dire warnings about self-publishing companies that take advantage of authors. Which is true? Both. So we’re here to straighten it out and explain how to take advantage of this new technology, so you don’t get ripped off. Right now there is a hot debate raging about an article in The Atlantic by Peter Osnos, and former publisher at Random House. He laments that Penguin, a traditional publisher, bought the self-publishing giant Author Solutions. Armed with statistics that the “overwhelming majority” of self-published books don’t make money, he calls self-publishing’s success a “cruel” paradox. Sometimes the experts just don’t get it. Old-school publishers like Osnos only want to publish books that sell millions of copies; they write off their lesser titles as “failures”. Yet to authors, selling a limited run isn’t always a failure; that may be their dream come true. A quarter of a million authors self-published books in 2011, for reasons including, but not limited to, making money.
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