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    After 100 Years Memoir Preserves Stories & History

    Why do we believe that preserving family stories is so valuable? A recent article in the Prescott Arizona Daily Courier offers an excellent illustration.

     The newspaper reported about a new book, All My People Were Killed: The Memoir of Mike Burns (Hoomothya), A Captive Indian. It was published by the Sharlot Hall Museum in Prescott, Arizona exactly 100 years after Burns first tried to get his stories into print.

     Burns’ story recounts an 1872 incident at Skull Canyon, Arizona, in which U. S. cavalry troops killed 75 Yavapai and Apache men, women and children, including all of Burns’ own family. The then seven-year old Burns was raised by cavalry officers and their wives. He eventually served as a scout for General George Crook during the latter’s campaigns against the Souix. Following his military service, Burns returned to Arizona and lived out his life on the Yavapai McDowell Reservation, dying in 1934.

     The book’s publication meant a lot to Burns’ descendants. "I wish the older ones were alive," Walker said. "They really would have liked to see the book,” said Burns' granddaughter, Leonardine Walker, who was two years old when Burns died in 1934. "This is what he wanted. He wanted to tell his side of the story." Burns' great-granddaughter Gail Hunnicutt said, "We're just grateful for this book to be brought out. It's been a long time coming."

     The value to the family is important. But Burns’ story, like any memoir or family history that recounts events in a time and place, is a document of broader historical value. "It is important that this diary has at last come to light," wrote Pulitzer Prize-winning author N. Scott Momaday, a Kiowa Indian. "By knowing Mike Burns in his time and place, we know better ourselves and our country."

     Click here to read the full Daily Courier article.


    There's More Than One Way to Write a Book

    If you are interested in family history and haven’t yet discovered the Family History Expo, we recommend the experience highly. We had a chance this past weekend in Loveland, Colorado, to speak with many people like ourselves who are interested in family history, and more specifically, how to present that history in a book.

    As presenters at the expo, the time limit forces us to generalize about subjects that are actually fairly complex and often a matter of choice and creative license. For example, many people ask us about the organization of the book, and the obvious answer is to provide them with a chronological method that makes sense of all that research.

    However, who says that you must place every element within that framework in chronological order? For the sake of telling an engaging, dramatic story, some literary devices might improve your book. A chapter or section might benefit from a reflective introduction. Told from your point of view in the present looking back, for instance, a first person introduction allows us to explore the consequences of those events long ago and sets the stage for the reader’s journey into the past.

    There are also technical book-making ideas that I never get enough time to explore at length when I speak with friends at the expo. For example, there is a problem that is unique to illustrated books. You may have wonderful images, yet if they are very detailed, you can’t see the details as well as you would like. We’ve all become wonderfully spoiled with the computer’s ability to “zoom in”, so that books seem inadequate in comparison.

    The solution? Maybe some day down the road it will be to produce an ebook. Ebooks have so many multimedia capabilities that books do not. However, they have significant downsides. All digital media are fragile and in a state of rapid evolution – remember BetaMax, and all your cassette tapes?

    There is a good compromise, in the meantime, as we wait for something better and more reliable that the book to come along. (Not in my lifetime, I’ll bet.) Just have your book designer create a companion CD, and affix it to the rear cover of the book. You can supplement the book with high resolution images (this is why it is so essential to have your scans done correctly) and audio, if you are fortunate enough to have recordings. You can even design the CD with a linked table of contents or an index that will align the contents of the book with the contents of the CD. This allows your reader to go directly to the source, and to zoom in (or set the volume) as they wish.

    I’m still thinking some of the other threads I left dangling at the Expo. That’s the benefit of talking with interesting people; it opens up more ideas for exploration. Don’t you think?


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