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    A Resource Rating Publishers and Publishing Services

    Looking for a Publisher? Preditors and Editors which bills itself as “A guide to publishers and publishing services for the serious writers,” is a website that can provide some useful assistance.

     The site offers hundreds of listings of publishers, publishing services, editors and literary agents. Not all services providers are listed in any category. (Stories To Tell doesn’t appear at present.) A link to the provider’s website is provided for each listing. Most entries are accompanied by recommendations or warnings concerning the provider. (There is a thorough explanation of the criteria used in determining ratings.) Entries indicate services provided by each listed publisher, editor or agent. Warnings consist first of general advice on how to spot “scam publishers” or “scam literary agencies.” Both in the general listings and in a special section there are warnings about specific providers. Many of the warnings are reports from writers who have had problems working with a provider. A lot of the content is submitted by readers to the site.

    The site’s emphasis is on commercial publication, but it does provide information on some small publishers who may be of interest to self-publishing authors.

    Whatever your publishing goals, the site is worth checking out.

    Click here to visit Editors and Preditors.



    Telling Stories With Pictures in Your Personal History

    Telling good stories is a critical part of writing a memoir or family history. But it’s possible to enhance the written stories by using images to illustrate them or to tell others that don’t make it into the text. Darren Rowse offers some excellent ideas on how to use pictures effectively in his article Telling Stories With Pictures on the Digital Photography School website.

    In selecting the photographs you intend to use in your book begin by realizing what emotions, moods, story lines, ideas and messages the images you choose may convey. Individual photographs may convey a story in a single image by emphasizing the context in which its subject is placed or by displaying the relationship between two subjects.

    A series of photographs might document a specific event or experience. Think of someone’s wedding photos or pictures taken on a vacation.

    Using photos to tell stories can, on a larger scale, parallel the kind of thinking a writer does in planning a written story. Carefully select introductory photos which will present important characters visually and provide a view of the settings in which events will take place.

    Consider themes you may want to develop as your story unfolds. The themes might relate to the types of photos you employ – visual themes or stylistic themes. Or the photographs might convey details of time, place or relationship by focusing on a single character or characters in a similar pose at several different moments in time or images of a setting taken years apart.

    Select the final images by deciding what lasting impression you want to leave with your reader, just as you plan the book’s concluding chapter.

    Click here to read Rowse’s full article.


    The Best Way to Preserve Family History Research

    After a wonderful weekend at the Midwest Family History Expo in Kansas City, I was once again reminded of how much genealogists love research. Me too! But I also found myself having numerous conversations with people about what to do with their research.

     Donna Przecha offered some good advice to family history researchers in her article From Planning to Printing: Your Family in Print on She said, “Devoted genealogists love going through their many collections of family group sheets, boxes of photographs, copies of census reports, notes from all sources and the ubiquitous photocopies of relevant pages of books. To us these are the building blocks of history — our personal history. However, if you want to get the attention of your children, your cousins, other people with the same surnames or even other genealogists, you have to present your material in a more concise and logical manner.”


    Her conclusion was exactly the one we had been discussing at the Expo, “…the most efficient and logical way for most people is in a book…” I was happy to see that Przecha went on to advise people to, “Try not to make your book a recitation of names, dates and places. Add as much story as you possibly can.”

     The other thing we frequently discussed with Expo visitors was limiting the scope of the book they wanted to create. A lifetime of research is often more than a single volume can reasonably contain. Deciding to limit a book to one line of the family or deciding on a chronological limit, the family’s arrival in the U.S. or the Civil War, or deciding to include three generations can all allow you to work with a manageable amount of material to include in your book.


    Click her to see Donna Przecha’s complete article.



    A Great Self-Publishing Resource

    If you are thinking about self-publishing The Self-Publishing Review is a resource you should check out. The site is an online magazine, and indeed a community, for people interested in self-publishing. Many of its articles are written with people who have commercial self-publishing in mind. These features focus on publicity and distribution channels.

    However, there is plenty for the potential self-publishing author who isn’t in it for the money. The Publisher Reviews are of particular interest. Current posts include Get It Together Lulu which looks at the digital publisher’s problems with ebooks and a look at subsidy publisher iUniverse in an iUniverse Review.

    Reader forums provide interesting comments on topics including: “Knowledge of Copyright Anyone”, “Evaluating eBook Schemes”, and “DIY or Hire It Out?”

    The resources section offers a variety of tools for self-publishing authors. I found the Book Design resources of particular interest.


    Click here to visit the Self-Publishing Review Site.


    How to Interview a Printer or Publisher

    It’s tricky to choose a printer or publisher because they may provide different services, at very different prices. You may hope to shop around by asking the price, but the answers you receive can be confusing. Instead of trying to compare apples to oranges, think of selecting the printer or publisher who is the best match for your needs.

    Make a list of printers and publishers you are considering and call them with your interview questions. If they do not have the exact services you want, move on. You don’t want to compromise on something so important.

    Question 1. Do you provide printing services for books with/without an ISBN?

    If you are privately self-publishing, state that you do not want any marketing services to get “just printing” price quotes.

    Question 2. Can you print my book to my specifications?

    Ask about the size, hard or soft cover, (or both), color interior, acid-free paper, and a sewn, not glued, binding if you want your book to last. If you are looking for specialty features like faux-leather covers or embossing, specify this now.

    Question 3. Will I retain all rights to my book?

    Even if you receive an unequivocal “yes”, make sure there will not be any rights issues you didn’t anticipate. Clarify by asking, “Will I retain the rights to any files I upload to you?” And, “If I want to print the same book with some other printer, or decide to market the book on next year, is there any conflict?” This should shake out publishers with contractual terms you don’t want.

    Question 4. Do you have a minimum order? Are there set-up fees in addition to the cost of the books?

    Depending on how many books you need, fees may seem negligible, or they may be a deal breaker.

    Question 5. How much will my books cost? Is there a bulk discount?

    Some printers offer discounts after 10 books, some after 25, etc. This may make a big difference.

    Question 6. What if I want to order more books later?

    Some printers will have different terms for reorders. They may or may not keep your files. For family histories, it is good to have a plan for reprints in the future.

    To read the complete article, click here.



    Three Questions About Books at the Family History Expo

    We just finished a wonderful weekend at the Midwest Family Historry Expo in Kansas City. We presented a seminar on Family History Books: Editing, Design and Publishing and had the opportunity to talk with a lot of very nice people about their family history book projects.

    The questions we were asked most often related to three topics:

    • What should the scope of my book be?
    • What will I need to submit to a editor, book designer or printer?
    • How do I choose a printer or publisher?

    We’ll look at the first two today and the third in our next post.

    If there’s one thing genealogists and family historians love it’s research. The question they all face is, “How much research is enough?” We advised people to recognize that there is a difference between the process – reaching the family history, which will probably never be finished – and their intended product – a family history book, which will contain a finite part of that ongoing research. The difficult decision for most people is, which part?

    For people who have been researching for years it many not be possible to include everything they have learned in a single family history book. We discussed several possible ways to decide what to include. You might include only one line of ancestors in your book (with the possibility of doing a future book on another line). You might place a chronological limit on the book. For example, you might deal with only the last three generations or choose a year like 1900 or an event like World War I as the starting point.

    Some of the people we spoke with were somewhat frustrated by the fact that they have had difficulty finding stories about segments of their family. They felt blocked by gaps in their research. We talked with some of them about writing their own memoirs and including their own memories of their families.

    The scope of a book will vary from person to person, everyone must decides what fits their family and their research in deciding what to include in their book.

    We have recently posted an article on the second question, “What will I need to submit?” on our website. Click here to see the article, What Your Editor Wants From You.



    "Fair Use" in Memoir and Family History Books

    A question that arises freqently when talking to first time writers is, what if I want to use material published somewhere else? Can I include it in my book? What do I have to do for it to be legal?

     The legal principle used to answer the question is called “Fair Use” which has been developed to determine how copyrighted material may be used by other authors. It weighs the original author’s ownership of her material and right to be compensated for it if someone else wants to publish any part of it against the need of another author to use some of the material in his work.

     The U.S. Copyright office lists four elements used to determine whether a use is fair:

    • The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes
    • The nature of the copyrighted work
    • The amount and substantiality of the portion used in relation to the copyrighted work as a whole
    • The effect of the use upon the potential market for, or value of, the copyrighted work

    The 1961 Copyright Law explained the fair use principle in this way: “quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the author’s observations; use in a parody of some of the content of the work parodied; summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy; reproduction by a teacher or student of a small part of a work to illustrate a lesson; reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported.”

    Any material used under the fair use principle must cite the source from which it is take.

    If you are uncertain of how the fair use principle applies to the material you want to use, the Copyright Office advises, “The safest course is always to get permission from the copyright owner before using copyrighted material.”


    The Art of Time in Memoir: Then, Again by Sven Birkerts

    Writing  about one’s own past in a memoir or that of one’s ancestors in a family history, if it’s done well, is not just a chronicling of events, but a search for their meaning, The key is not simply writing about what happened next, but also reflecting upon why it was significant.

    Richard Gilbert, in his excellent blog Narative, explores the problem of writing about one’s past in a review of  The Art of Time in Memoir: Then, Again by Sven Birkerts.

    Birkets’ premise is that to write about the past one must use the “vantage point of the present to gain access to what might be called the hidden narrative of the past.” It is in that reflective pocess that the writer unlocks the insights and lessons to be learned from the actual events and experiences.

    When memoir or family history simply lists what happened next, says Gilbert, they are failures because, as Virginia Woolf said in To the Lighthouse they are mere narratives of events and “leave out the person to whom things happened.”

     To get at that person, the writer must escape from mere chronology. By deciding what is more or less significant in the events she writes about, she may decide that some events require only cursory discussion whle others need to be examined at length, while some mey not be important enough to be included in their book at all. It is such considerations that may lead the author to alter the chronology. She might, for example, choose to begin with a dramatic event which occurred later in time, then trace the things which led up to it. What assumes the greatest importance in the story the author is telling is not its linear chronology, but the meaning of the events themselves.

    Click here to read Richard Gilbert’s review of The Art of Time in Memoir: Then, Again by Sven Birkerts. 



    We'll See You at the Midwest Family History Expo

    We are getting ready to leave for the Midwest Family History Expo which is coming up on July 30th & 31st at the KCI Expo Center in Kansas City. It will be our fourth Family History Expo this year. The expos are always fun. There are plenty of great people with a deep interest in family history. There are also some excellent opportunities to learn about how to further your family history project. The Kansas City Expo will include 110 classes running the gamut from ways to use technology in genealogy research or accessing all kinds of records to niche workshops like Heritage Travel to Germany or Researching Criminal Ancestors. There’s something for everyone with an interest in family history.

    We will be presenting a seminar Friday morning on Family History Books: Editing, Design and Publishing. We’ll cover a lot of ground including:

    • The importance of stories and how to tell yours well
    • Overcoming obstacles to getting your book finished
    • Choosing photos and illustrations
    • Working with an editor
    • Choices in designing you book
    • Paths to publication

    I know there will be plenty of questions from participants that will broaden and deepen the conversation. That’s one of the things that makes presenting fun.

     So, if you live in the Kansas City area and want to learn ways to make researching and presenting your family history come see us. We’d love to say hello.

     Click here to see more details about the Midwest Family History Expo.


    Family History and Memoir: Making Choices

    ”Photographs from the past are familiar to anyone trying to write a memoir or a family history–all those long-forgotten men and women begging to be remembered and to have their story put in some kind of order,” says William Zinsser in his column in The American Scholar.

    Zinsser, the author of the classic book On Writing Well and more recently Writing About Your Life, teaches classes on writing memoir and family history at both The New School and Columbia University School of Journalism. Speaking of both the photographs themselves and the stories that accompany them, he says, “My writing students have been bringing family images to my memoir class for 20 years.”

    Like nearly everyone seeking to create a personal history Zinsser’s students are often overwhelmed by the task of trying to sort and organize. They struggle to decide what must be included and what can safely be left out. Are there skeletons in the family closet better left unrattled?

    Many memoirists and family historians are so intent on “doing it right” that never manage to get these questions answered. They never complete their projects and their books remain unwritten.

    Zinsser’s advice is simple, “……there’s just much too much stuff in the cluttered attic of memory. I can only offer one word of salvation: Reduce! You must decide what is primary and what is secondary.”

    A family historian trying to document the distant past spanning several generations faces different challenges from one recording first hand memories that extend to the present day. A memoirist may not want to write a “tell all” book. The choices are up to you. There are no wrong answers.

    Once you’ve decided what belongs in your book, don’t look back. “Don’t ask: “What will my sister think?” says Zinsser.  “If your sister has a problem with your memoir she can write her own memoir.”

    Click here to read Zinsser’s full article.



    The Story of a Self-Published Family History

    Ralph Jensen’s family gets it. They tell their story about the rewards and challenges of writing and self publishing a family history in The Journal Times.

    Jensen, a resident of Racine, Wisconsin, who will be 85 years old this year, is the repository for stories passed on orally by his parents and grandparents dating back to the family’s arrival from Denmark in 1888. Jensen didn’t want those stories to get lost.

    "I talk to so many people who don't know their family history and seem to have no knowledge of who their grandparents were. I wanted to put some of the history that I know down in writing so that another generation from now, people would know what went on in our family," said Jensen.

    "My Dad's a story teller," said Jensen’s son Mark, in an in an interview with The Journal Times of Racine. "It seemed a shame to not have those stories captured somewhere."

    The process of getting the stories into print became a two-year family project involving Jensen's wife Carol and their four grown children. The result, My Memories: A Brief History of the R.L. Jensen Family From 1888 to the Present, was recently self-published by (Note: is a favorite on-demand printer we use frequently. Good choice, Jensens!)

    The Jensens learned why we always advise clients to work with a professional editor. "Seven of us proof read it and things still slipped through," Ralph said.

    That mattered little to Jensen’s daughter Heidi. "It's not just a book," she said. "It is an important part of my father's family history. I'm going to keep it in a special spot, so that I always know where it is and I hope that the grandchildren and even great grandchildren will some day have the same feeling about it."

    Mark Jensen is considering a second volume which will include his own memories as well as stories that didn’t make it into his father’s book. "This may be something we continue over a long period of time," he said.

    Click here to read the full article from The Journal Times.



    Use Photos to Tell Stories in Your Book

    Selecting photos to use in a memoir or family history book can be a tricky business. One way to choose is to decide which photos can stand alone, which express both the ideas and the emotions that tell a story.

    Noupe Blog writer Aquil Akhter explores how the images created by photo journalists do exactly that. “It is their objective to produce direct, truthful and bold images that tell the stories for those who have no voice,” says Akhter.

    Photo journalist Mark Hancock explains the responsibility he and his colleagues face. “At all times, we have many thousands of people seeing through our eyes and expecting to see the truth. Most people immediately understand an image.”

    Akhter’s post examines 35 Powerful Photos That Tell a Story. Some are horrendous, like the 1994 World Press Photo of the Year, which shows a man in Rwanda mutilated by a Hutu militia. Others are spectacular, like a shot of Igauzu Falls in Brazil. Still others are inspiring, like Cameron Herweynen’s photo of a joyful young boy running along a road in Malawi.

    Click here to view all these exceptional photos. You may or may not understand the full story that each image contains,(we need text for that) but undoubtedly you will be struck by powerful emotions.

    When you have choices to make about which photos should illustrate your own book, think about the stories they will convey to your reader. What is the emotion you hope to evoke? Powerful images will increase the impact of the written stories in your book.



    A Plan to Complete Your Book in a Year

    Writing a book can be a daunting prospect. Many more people begin a book than those who complete one. What can you do to help assure your memoir or family history will go to print? Get over any notions about artists and inspiration. Instead, approach the task methodically and systematically.

    Melissa Butler in the Writing, Self-Publishing and Book Marketing Blog offers some sound advice. She addresses it to novel writers, but it is equally applicable to someone writing non-fiction. Says Melissa, “Writing a novel is a huge task, but looking at the big picture makes it appear much larger than it needs to be. Think of writing as a process, rather than an end product.”

    She recommends that you think not about writing 300 pages, but about writing one page – today. By committing half an hour to an hour a day, five days a week, you can plan and create your book in a year. If you don’t have quite that much time, that’s okay. Commit to what you do have and recognize that it will eventually lead to a completed book.

    Drawing upon ideas in Bill O’Hanlon’s article Baby Steps, which appeared in The Complete Handbook of Novel Writing, Butler offers two methods to organize your time.

    What both come down to is committing to a month or so to plan your book, and then to write 250 to 500 words a day. The specifics are less important than the consistency of output.

    Remember that despite our best intentions, life occasionally gets in the way of our plans. When it does, return to your writing schedule as soon as possible.

    If you want to formalize your plans you can sign up for the 250 or 500 words a day challenge on the InkyGirl Blog. Click here to read Butler’s full article.



    Focus, For Books People Want to Read

    Sunday’s New York Times Book Review reminded us that sometimes taking a much narrower focus makes for a better story. Two somewhat offbeat memoirs were reviewed - Lay the Favorite: A Memoir of Gambling by Beth Raymer and Wide Awake: A Memoir of Insomnia Patricia Morrisroe. The lesson? A memoir or family history need not be a complete, chronological life story to be interesting.

    In Lay the Favorite: A Memoir of Gambling, Raymer seeks to give her readers a glimpse into a universe far different than their own. As reviewer Lynn Harris summarizes, “Six 40-inch televisions, each showing a different sport; a banquet table cluttered with hockey digests and Yoo-Hoo; the boss sausaged into tube socks and armed with a copy of Hide You’re A$$ets and Disappear: no this is not your typical workplace. But then, professional sports betting – a sordid, florid microworld lurching along the edge of society, not to mention legality – is not your typical job.”

    To read the reviews,


    In Wide Awake: A Memoir of Insomnia, Morrisroe, an insomniac, seeks the cause of and a solution for her condition among over 80 identified forms of sleep disorder. Reviewer Robert Pinsky says that she, “shapes this material as a personal narrative of her quest for better sleep, an odyssey of encounters with various drug researchers and dispensers, psychotherapists and mystics and conference-goers, as well as a range of savants, bullies, discoverers, profiteers, innovators and at least one sage.”

    These two books demonstrate that the key to writing a good memoir is finding and exploring what’s unique about you, your history and formative experiences. Then the goal is to present your knowledge in a way that is compelling, one that will allow your reader to share your experience.


    After 100 Years Memoir Preserves Stories & History

    Why do we believe that preserving family stories is so valuable? A recent article in the Prescott Arizona Daily Courier offers an excellent illustration.

     The newspaper reported about a new book, All My People Were Killed: The Memoir of Mike Burns (Hoomothya), A Captive Indian. It was published by the Sharlot Hall Museum in Prescott, Arizona exactly 100 years after Burns first tried to get his stories into print.

     Burns’ story recounts an 1872 incident at Skull Canyon, Arizona, in which U. S. cavalry troops killed 75 Yavapai and Apache men, women and children, including all of Burns’ own family. The then seven-year old Burns was raised by cavalry officers and their wives. He eventually served as a scout for General George Crook during the latter’s campaigns against the Souix. Following his military service, Burns returned to Arizona and lived out his life on the Yavapai McDowell Reservation, dying in 1934.

     The book’s publication meant a lot to Burns’ descendants. "I wish the older ones were alive," Walker said. "They really would have liked to see the book,” said Burns' granddaughter, Leonardine Walker, who was two years old when Burns died in 1934. "This is what he wanted. He wanted to tell his side of the story." Burns' great-granddaughter Gail Hunnicutt said, "We're just grateful for this book to be brought out. It's been a long time coming."

     The value to the family is important. But Burns’ story, like any memoir or family history that recounts events in a time and place, is a document of broader historical value. "It is important that this diary has at last come to light," wrote Pulitzer Prize-winning author N. Scott Momaday, a Kiowa Indian. "By knowing Mike Burns in his time and place, we know better ourselves and our country."

     Click here to read the full Daily Courier article.