Last weekend at the Wordstock Book Festival in Portland, Oregon I had an opportunity to talk with Beth Anderson, Executive Vice President and Publisher at Audible.com. We discussed how an author can get a book or ebook produced as an audiobook. This spring Audible, a subsidiary of Amazon.com, launched a new process for creating audiobooks called The Audiobook Creation Exchange (ACX) Audible describes ACX as “a dynamic online marketplace, production platform, and sales system. ACX directly connects professional authors and other book rights holders with actors, studios, and audio publishers to…provide an easy way to turn professionally published books -new or old – into professionally produced audio books.” Here's a short YouTube video to describe the process.
I love book festivals. Wordstock, last weekend in Portland, Oregon, was wonderful. How could it miss with some of the nation’s finest authors, people in the book business swapping insider knowledge about what’s new, and an audience of people who want to talk about books. One of the highlights was PEN/Faulkner Award winning novelist T.C. Boyle’s appearance. I have enjoyed reading Boyle’s work for years. A polished speaker and fine performer, Boyle read his short story Top of the Food Chain, an ironic, but chilling account of a senate committee investigation of a Third World environmental disaster. After the reading he told the audience that he had just finished his next novel days before beginning his current tour with his new book T.C. Boyle Stories II. The new book should be out next year, he said. Then he paused and corrected himself to say we could expect it in early 2015. Early 2015! Twelve to fifteen months. It was a sharp reminder that it takes a long time to publish a book.
You may have been offered a contract by a traditional publisher. Or you may be considering a self-publishing company. Maybe you plan to be a true self publisher taking complete personal control of your books publication. Before you go any further, ask yourself a simple question: What’s in it for me? Wise authors have become comparison shoppers. Weighing all of the factors in each route to market, which is the best deal for you? Set up a spreadsheet in which you can make a side-by side comparison of your options. Here are some things you’ll want to include in your comparison.
October is Family History Month. We want to invite you to help us celebrate by participating in a poll. It short and sweet: What’s the best reason to write a family history book? Leave you answer in the comments (or if you would rather Tweet them using the hashtag #STTBooks). We’ll compile the results and post them at the end of the month. We hope you’ll enjoy telling us what you think. Encourage your friends to share their thoughts. We are looking forward to hearing from you.
If you do research for a book – and almost all of us do whether it’s for fiction or non-fiction – what can you legally take from your sources and what might get you into trouble? The obvious answer is what they told you in elementary school, “Don’t copy.” So high profile writers have been embroiled in some ugly public flaps over this simple idea. Alex Haley, author of the blockbuster Roots settled a copyright infringement suit with fellow novelist Harold Courtlander for $650,000. Historian Doris Kearns Goodwin settled with writers of three books following accusations of plagiarism by the Weekly Standard. But assuming you are trying to play by the rules, what are those rules? The answer is based on the legal concept of Fair Use.
I love book festivals. We exhibit at some of the biggest and best in the country including the Tucson Festival of Books, The Los Angeles Times Festival of Books, and the Miami Book Fair International. Nancy and I are looking forward to Wordstock in Portland, Oregon next weekend. If you love books, you can’t beat the conversations at a book festival. Each time we go we meet some wonderful people, talk about interesting and exciting books, explore the craft of writing, and learn more about what is happening in the business of books. You can get a great education at a book festival just by walking around, talking to people, visiting fellow exhibitors, and dropping in on some of the speaker sessions. We come home enriched by the experience. Each time I go to a festival I set a goal. This my goal time is to learn more about tools that will help self-publishing authors in their roles as entrepreneurs.
Here are my Top 10 Tweets from the past week. If you missed these follow @STTBooks on Twitter for more great tips, tools, and creative ideas from around the web.
Genealogical Mysteries on My Fall Reading List British author Fay Sampson has written a wonderful series of mysteries with a genealogical twist.
Three Unconventional Tools You Might Not Be Using for Your For Your Genealogy Research These web based tools will help simplify the way you manage your research.
Rebecca Skloot on Producing Creative Nonfiction Lessons from the best-selling author of The Immortal Life of Henrietta Lacks.
How to Get Writing Material From Your Life How to capture and use the details of everyday life to tell your story.
The Writer’s Craft
How to Find Beta Readers for Your Work You need quality feedback to guide you in revising your book. Here’s a way to make sure you get it.
Artist Creates Gorgeous Story Structure Map A beautiful tool for planning your story structure.
Promoting a Virtual Book Tour Virtual book tours have allow authors to reach a wide potential audience. Here are some great tips on how to make sure yours gets the publicity it deserves.
Nonfiction Query That Survived 75 Submissions Check out a query letter that finally hooked a literary agent and led to a publishing contract.
People With E-Readers, People Without E-Readers This wonderful infographic on The Self-Publishing Review will help you decide whether an e-book, a print edition or both is best for your book.
INDIEstructible: Inspiring Stories from the Self-Publishing Jungle Success stories from authors who self-published or signed with a small press. Will yours be next.
Share your best recent web find in a comment!
Thinking about publishing a book? Would it be better as an e-book, a print edition, or both? The Self-Publishing Review offers some illuminating statistics on the subject in a wonderful infographic by Catherine Tosko titled People With E-Readers and People Without E-Readers. Here are a few things you’ll want to consider in making your decision.
Family historians are researchers first. They must look carefully and thoughtfully for the facts of their ancestors lives, assemble them, and organize them into a narrative. Some researchers are more skilled or more fortunate than others, but the truth is that none of them will be able to gather all of the facts they would like to have about their ancestors. What do you do when you want to write a family history, but come face-to-face with the fact that the historical record you have been able to discover is incomplete, even fragmentary? Pulitzer Prize-winning author Tracy Kidder and his longtime editor Richard Todd offer some useful advice in their book Good Prose: The Art of Nonfiction.
Forbes.com has some valuable business advice for authors who want to self-publish their books: Get professional help. Many self-publishing authors see the process as a DIY proposition. But Forbes reports that “authors who did their own editing and cover design made only 38% of the average” amount earned by self-published books. Authors who got help with editing, copy editing and proof reading saw their earnings increase 13%. Authors who hired professional book designers as well as editors saw their books earn 34% more than the average for a self-published book.
There has been a lot written celebrating the elimination of gatekeepers – agents, editors, and traditional publishers – who blocked many authors from access to publication. Self-publishing has allowed writers to find their own readers. E.L. James and her Fifty Shades of Grey series have inspired many people to say, look what happens when a writer can get her own books out there to find an audience. So self-publishing has provided authors with opportunities that didn’t previously exist, but, although not many people are talking about it, authors also lost some important things when it became possible to do an end around and totally bypass the traditional gatekeepers. Let’s take a look at some of the things authors lost.
Why Would You Want a Print Book? asked Rich Meyer in a recent post on Indies Unlimited. While the reasons he gave for publishing his quiz books exclusively in e-book formats may be valid for him, his was only one answer to a complex question. It deserves a more complete answer. Let’s look at some of the reasons you would want a print edition of your book.
Nonfiction writers can learn a great deal about writing from Sherlock Holmes. True, Holmes never wrote a word. Dr. Watson served as his Boswell, faithfully reporting the stories of the famous sleuth. Think instead about what made Holmes the world’s most memorable detective? It was not his investigative skill. He didn’t gather a mountain of facts. What he did was to make brilliant deductions based on inferences from a few facts which allowed him to construct a narrative of the entire case. Why is that important for a nonfiction writer? Because it represents a mindset almost totally opposite to the one most nonfiction authors adopt. They set out to gather all of the facts about a subject and then display them before their reader.
Brick walls, those frustrating points where you can’t find the information you need and don’t know where to turn which stop your research in its tracks, are favorite topics when genealogists gather. How do you break through that brick wall? You may run into the same sort of blockage while you are writing your family history. Often the barrier is a missing detail. Until you can find it, you can’t move on. Your family history is stuck. You take off your writer’s hat and slip back into the role of researcher. Fortunately there’s a way to overcome such obstacles. The important thing to understand is that just because you family history occurred in a chronological sequence, you don’t have to write your book by following the same sequence. It’s perfectly okay to deal with ancestors, events, or stories out of order as you develop your manuscript. You can go back later to fill in the details of the hurdle that’s obstructing your progress now and add transitions to smooth out the book’s flow. Here are five tricks to help you avoid getting stuck when you run into an obstacle.
Rigid adherence to a chronological framework can be one of your greatest enemies when you are trying to write a memoir or family history that interests readers. Using a chronological approach to help organize your book often leads to chapters of equal length with time periods homogenized so that all events seem to have equal importance and receive equal attention. Life, however, isn’t lived that way. Some times or events are pivotal. Understanding those turning points is the key to the story. Other segments of your life can be dealt with in a more summary fashion. Let’s face it, not everything that happens to us is all that interesting. So, how does one avoid falling into a chronological trap?