Every writer is looking for ways to enrich the characters, deepen the conflict and build a more dramatic story. Here are six great tips from around the web to help you do just that.
If you are looking for ways to share your ancestor stories and family history, there are a growing number of online sites offering easy ways to do it. They provide templates with which you can upload everything from a single anecdote to a full book. These service providers also promise to store your stories either on-site or with a cloud-based system. We always encourage people to share their stories, but advise caution when embracing a net-based solution. The latest object lesson is Ancestry.com’s decision to shut down its My Canvas publishing program.
One of the questions we are frequently asked is, “What is a Library of Congress Control Number (LCCN) and how do I get one?” A LCCN is distributed for free by the Library of Congress in Washington D.C. and corresponds to a created record in their system that libraries across the country can look at if they want information on how to catalog your book.
You’re in a bookstore or at an event looking at a book and it’s so poorly designed that it’s distracting to you and you choose not to buy it. I’ve had this happen so many times that I want to write the authors and tell them about our book design services before they print their books again. Whether a book is designed by a mainstream publisher or is self-published, the design needs to look clean and professional.
We’re in Salt Lake City for day two of the International Association of Jewish Genealogical Societies (IAJGS) annual conference. The attendees are a wonderfully serious and enthusiastic group who have asked us some great questions. One of my favorites was, “Do you have the app to make days 48 hours long so I have time to get my family history written?” I had to admit that our crack R & D department is still working on that one. By far the most frequently asked question was, “What’s the best way to organize my family history?” There is no single best way, but here are five questions to think about when you are organizing you own book.
Now you have a book in your hands! It’s been written, edited, designed, and printed. What a glorious feeling! Congratulations! And then the question sets in: what do you do with it now? There are many places you can market your book such as bookstores, events, in magazines, and online. I have found the most success when I have the closest direct contact with readers.
We are getting ready to head to Salt Lake City for the annual conference of the International Association of Jewish Genealogical Societies which begins July 27th. It’s always fun to talk with enthusiastic people about genealogy and their family history. But what we are especially interested in about this conference is one of the activities for participants. The Conference Blog explains: One hundred years ago, the second day of our conference, marks the outbreak of World War One. The anniversary of the “War to End all Wars” will be a major focus of our conference, with sessions exploring how the War impacted the lives of our ancestors. Consider submitting your World War I Story to be included in our collection. Your story need not be about the war or someone who was in the military, but it can tell the story of what your relatives did during the war. There’s no better way to memorialize our ancestors than to tell their stories. We are looking forward to reading and talking about the stories participants submit which will be posted online at the conference.
Why does it take so long to get a book into print? That’s a question a lot of first time authors ask. There are plenty of good reasons that the process takes so long, but a humorous look at how a book gets edited, designed, published, publicized, distributed and marketed is much more fun. Enjoy the video published by the Digital Marketing Team at Macmillan titled From the Typewriter to the Bookstore: A Publishing Story.
When I’m enthralled by a good speaker or a great book, it’s usually because I’m being told an intriguing story. I love a good story. As humans, story is one of our most powerful tools of communication. A good story gives us new perspective, helps us gain understanding, lets us know we’re not alone, and passes along tradition and familial heritage. One of the powers inherent in writing is being able to voice what can be difficult for other people to share. It takes courage to be that voice—an opening of vulnerability.
One of the first things an editor learns is the importance of a good style manual. When tricky questions of grammar, punctuation or usage arise, it’s good to have a “bible” to refer to get the definitive answer as to the “correct” way to write something. Today I got a good reminder. Correctness is not always absolute, even with the best of style manuals. My problem was simple. I wanted to create a possessive of the name Julius. My client had written Julius’s. My recollection was that no additional s was necessary and that it should be Julius’. Which was correct? I checked the Chicago Manual of Style, 16th edition and found the following advice:
Whenever I know someone is coming over to my house, I make sure the space is cleaned up. I do the dishes, vacuum, and put the clutter away. I want to make the space inviting. As a writer, I do the same thing for my readers. We all have a great deal of clutter in our thoughts that tends to get in the way of what we write and I like to clear it away beforehand so my readers don’t have to deal with the junk amidst the gems. [This blog is from a new contributor, Sarah Hoggatt. You will be seeing more of her ideas about writing in upcoming blogs! Welcome, Sarah.]
This post is a collection of insights on best business practices from writers around the net.
I Googled the Miami Book Fair today to get the exhibitor application for what the New York Times described as the, “… largest and by nearly all accounts the most diverse public literary event in the United States.” But on the way to the listing for the 31st Annual Miami Book Fair International, this November 21-23, an interesting item popped up in my search: Author Solutions Takes Signing Scam to Miami Book Fair on novelist David Gaughran’s site. I hit the link. Here's what I found.
Thinking about writing a family history book someday? Most genealogists and family historians do. Over the years, we have offered lots of advice on how to research your ancestors in ways that will help you write an interesting family narrative that will engage your readers. Today we will focus on a much more nuts and bolts topic: documentation. Must your family history have a bibliography and source notes? No. There are no rules about what your book will or won’t contain. You are the author. You get to decide. However, if you want to create a record of your ancestors that other genealogists (maybe the next generation in your own family) can build on, you’ll need to document your sources. As Family Search advises, “The best way to judge the quality of a family group record is by its source footnotes.” So, if you do want document the story your book tells, here are two pieces advice that will save you time and frustration as you do.
Are you looking for a publisher for your book? Take a moment to think about your reasons for seeking a publisher. Chances are they will include: Legitimacy and Prestige - A publisher’s imprint confers legitimacy on the book. It has been vetted by a literary agent (usually) and an acquisitions editor (always). The professional judgment of these gatekeepers confirms the quality of your book. Advance Payment – A traditional publisher gives you an advance paid against future royalties when it buys the rights to your book. Distribution and Publicity - Your publisher will handle distribution of your book. They can get your book into bookstores. The publisher’s publicity and marketing departments will get the word out about your book. They will handle advertising, schedule interviews and line up a book tour for you. Sound good? Before you sign a contract, let’s take a closer look at these benefits.